Tag: reading

Literature

Overheard at a forum at Powell’s with Philip Gourevitch, Editor of the Paris Review:

“Every thing you’ve ever read is a gross reduction of reality” 

     -Philip Gourevitch
 

 

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off the grid

Early tomorrow morning (as in 5.15am) I am heading out to Our Lady of Guadalupe Trappist Abbey for a weekend retreat.  I’m leaving the cell phone, the laptop and the bustle of the city behind.  What I’ll be taking with me, a couple books, my moleskine and an open mind and spirit.  It’ll be a weekend of silence and discernment.

The books I’ll have with me:

  • The Seven Storey Mountain by Thomas Merton
  • Jesus the Son of Man by Kahlil Gibran
  • The Essential Rumi translated by Coleman Barks

I’m sure I’ll have a lot to say about the weekend when I get back on Sunday!

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Blind Willow, Sleeping Woman

It’s interesting reading Murakami’s short stories.  They are like individual dreams that you wake up with before you want to.  At least that’s how I often feel.  But then even his longer works tend to finish before I want them to.

This collection is interesting, because it has some of his earliest stories as well as his latest stories.  Most of the time it is easy to figure out which is which.  His later work is much more polished than the earlier work.

My favorite works in this collection are “Tony Takitani,” “Chance Traveler,” “The Kidney Shaped Stone That Moves Every Day” and “A Shinagawa Monkey.”

I’ve read through all of Murakami’s fiction that have been translated into English.  My favorite novels were Norwegian Wood and Kafka on the Shore.

Now to figure out something new to read. 

 

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Dance Dance Dance

I finished the “sequel” to The Wild Sheep Chase last Thursday (yup, two Murakami novels in one week).  Dance Dance Dance takes place four and a half years after the conclusion of The Wild Sheep Chase.  There is definitely more “meat” to this novel than the earlier one.  It also helped fulfill that desire I had after the earlier novel for more story.

Reading Murakami is like reading a dream.  Sometimes it makes sense, sometimes it feels like reality and sometimes its so bizarre that it surprises even the wildest imaginations.  Time often disappears leaving only shadows of memory.  

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A Wild Sheep Chase: A Novel

This was a quick easy read.  Murakami’s first book published in English, it is not near as complex as his current stuff.  However, there is still much to be had from this novel.  The style of this book foreshadows where his style will go in his later works.

All and all, I don’t have much to say about the novel itself.  While I still enjoyed it a lot, it is probably my least favorite of his novels (and the only one I have left to read, is the “sequel” to this one).  This would make a great traveling book. 

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Snow

I really enjoy novels that deal with the conflict between east and west.  One of my favorite contemporary novelists is Salman Rushdie, whose novels all deal with this conflict in one way or another.  Up to this point, the majority of my experience with this conflict has been from India/Pakistan/Afghanistan and the West. So when my boss let me borrow this book I was definitely intrigued.

The book is set in Northeast Turkey in essentially a border town.  This town has been part of Armenia, Russia and Turkey.  What for me was one of the most interesting things about this novel is the conflict with secular Turkey and those wanting a religious Turkey.  It was another layer to the East/West concept that isn’t touched to the same level of detail as Rushdie’s novels.

The novel is narrated by the eponymous novelist friend of the poet Ka.  Orhan (the narrator) is visiting both Kars and Frankfurt trying to make sense of Ka’s murder in Germany and find a lost collection of poetry written while Ka was in Kars.  In the early parts of the novel however, the narrator is only identified as a friend of Ka’s.  The story is told from Ka’s point of view with the narrator occasionally foreshadowing events before Ka would know them.  It isn’t until the later chapters of the book that the narrator really steps out as his own character in the book.

I really enjoyed this book.  While none of the poems actually are actually in the book, the inspiration for Ka’s poems is evident.  Pamuk’s description of Kars and the effect of the snow is beautiful (despite describing poverty and depression often).  I also think that looking at Turkey and its culture and society is a good place for westerners to begin to understand the conflict between Islam and the west.

On another note, Orhan Pamuk is often mentioned as a leading candidate for the Nobel Prize in Literature in the near future.  British oddsmakers Ladbrokes has Pamuk as its favorite for the prize this year.  It was also speculated that he was under serious consideration for the Prize in 2005 (eventually awarded to British playwright Harold Pinter).

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The Seven Storey Mountain (pt 2)

For my review of Part 1 of The Seven Storey Mountain click here.

Parts 2 & 3 of The Seven Storey Mountain were much more enjoyable for me.  And as a result, I got a lot more out of these sections of the book.  I think in the end I had the expectation of the later Merton who was much more open to non-Catholics.  The harshness of the young Merton (and Father Louis) was a little unsettling for me.

The things that stuck most for me in this section were nuggets of wisdom about discernment and vocation.  Merton’s journey from conversion to the monastery was fascinating for me as well.  My reading of this book has been timely for me.  This was of course a purposeful reading on my part.  With the hiatus of my path to seminary it has been a time to rediscover aspects of my faith.  My faith hasn’t been something I’ve questioned, however I have let it coast somewhat recently.  Its time for me to get my hands a little dirty with my spiritual life again.

I’m going to take a weekend retreat at Our Lady of Guadalupe Trappist Abbey next month.  I’m really looking forward to this time to really focus on my faith life.  There are also a few sections of The Seven Storey Mountain that I plan to meditate over the next month or so.  I’ll probably post on a few of those later on this blog.

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The Seven Storey Mountain (Part 1)

This morning I completed the first part of The Seven Storey Mountain by Thomas Merton.  The book is the story of his “search for faith and peace.” (according the back cover of the book)  This section of the book covers the time of his childhood through his college years at Columbia.  At this point in the book, I don’t really like Merton, though I suspect that Merton himself didn’t like Merton at this point in his life.  Perhaps, as the note to the reader suggests, this is just a matter of perception.  The Catholic church and the world at large were much different places in the years immediately following World War II.  This is surely part of it, however, there were numerous times that I was put off by the arrogance of “Father Louis” (Merton’s monastic name) and how it related to Thomas Merton the child and young adult.

Perhaps the most telling example of this occurs in a scene after his father has died:

First a scene from right before his father’s death:

    Of us all, Father was the only one who really had any kind of a faith.  And I do not doubt that he had very much of it, and that behind the walls of his isolation, his intelligence and his will, and not hampered in any essential way by the partial obstruction of some of his senses, were turned to God, and communed with God Who was with him and in him, and Who gave him, as I believe, light to understand and to make use of his suffering for his own good, and to perfect his soul.  It was a great soul, large, full of natural charity.  He was a man of exceptional intellectual honesty and sincerity and purity of understanding.  And this affliction, this terrible and frightening illness which was relentlessly pressing him down even into the jaws of the tomb, was not destroying him after all.

[…] We thought he was done for, but it was making him great.  And I think God was already weighing out to him the weight of reality that was to be his reward, for he certainly believed far more than any theologian would require of a man to hold explicitly as “necessity of means,” and so he was eligible for this reward, and his struggle was authentic, and not wasted or lost or thrown away.

However, just over a year after his fathers death, the young Merton (through the eyes of the monastic Merton) seems to have forgotten his earlier admiration of his father’s faith, during what could be considered the beginning of Merton’s conversion experience:

    Suddenly it seemed to me that Father, who had now been dead more than a year, was there with me.  The sense of his presence was as vivid and as real and as startling as if he had touched my arm or spoken to me.  The whole thing passed in a flash, but in that flash, instantly, I was overwhelmed with a sudden and profound insight into the misery and corruption of my own soul, and I was pierced deeply with a light that made me realize something of the condition I was in, and I was filled with horror at what I saw, and my whole being rose up in revolt against what was within me, and my soul desired escape and liberation and freedom from all this with an intensity and an urgency unlike anything I had ever known before.  And now I think for the first time in my whole life I really began to pray–praying not with my lips and with my intellect and my imagination, but praying out of the very roots of my life and of my being, and praying to the God I had never known, to reach down towards me out of His darkness and to help me to get free of the thousand terrible things that held my will in their slavery.

There were a lot of tears connected with this, and they did me good, and all the while, although I had lost that first vivid, agonizing sense of the presence of my father in the room, I had him in my mind, and I was talking to him as well as to God, as though he were a sort of intermediary.  I do not mean this in any way that might be interpreted that I thought he was among the saints.  I did not really know what that might mean then, and now that I do know I would hesitate to say that I thought he was in Heaven.  Judging by my memory of the experience I should say it was “as if” he had been sent to me out of Purgatory.  For after all, there is no reason why the souls in Purgatory should not help those on earth by their prayers and influence, just like those in Heaven: although usually they need our help more than we need theirs.  But in this case, assuming my guess has some truth in it, things were the other way ’round.

It really just amazes me that the “elder” Merton can look back on his father, a man who’s faith he could not question, and still think his father would not be in Heaven.  Is it just because his father was not a Catholic?  I can’t be completely sure, since this is my first real exposure to Merton’s works, but based on the way he speaks of the “Protestant” denominations elsewhere in the book, I suspect that is a large part of it.

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More Murakami

I just wrapped up “South of the Border, West of the Sun” by Haruki Murakami.  As it has been with all the previous novels, I loved it.  This novel is perhaps the most linear of the novels I’ve read so far.  An interesting tid-bit about this novel:  Murakami wrote this book while he lived in America for a few years during the 90s.

When I read, I normally have my moleskine somewhere nearby, and I often write down passages that move me while I read.  Here are a few from this novel that moved me:

She gazed at me steadily as I talked.  Something about her expression pulled people in.  It was as if–this is something I thought of only later, of course–she were gently peeling back one layer after another that covered a person’s heart, a very sensual feeling.  Her lips changed ever so slightly with each change in her expression, and I could catch a glimpse deep within her eyes of a faint light, like a tiny candly flickering in the dark, narrow room.

*****

I stood there a long time, gazing at the rainswept streets.  Once again I was a twelve-year-old boy staring for hours at the rain.  Look at the rain long enough, with no thoughts in your head, and you feel your body falling loose, shaking free of the world of reality.  Rain has the power to hypnotize.

*****

Her eyes were like a deep spring in the shade of cliffs, which no breeze could ever reach.  Nothing moved there, everything was still.  Look closely, and you could just begin to make out the scene reflected in the water’s surface.

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Murakami Madness

As of late, I have been obsessed with the novels of Haruki Murakami.  So far I’ve read five of his novels, plus a collection of short stories.  The latest was Hard-Boiled Wonderland and the End of the World.  As with every one of his novels so far, I wasn’t disappointed at all.  This one has a bit of a sci-fi bent to it, however I wouldn’t classify this as a sci-fi novel.  I hesitate to go to much into the details of the book, as I think its best to discover Murakami on one’s own.  One of the things that amazes me about Murakami’s work, is that each novel is wonderful and amazing in its own special way.  While there are definately themes that are constant throughout, they at least feel like they are being used in a different way.

A few of the things I like about Murakami are: music plays a big part in the lives of his characters.  his novels are full of love, spirituality and encourages us to seek out the connections with others.  There is room for the reader inside his stories.  It is both simple and complex at the same time.  Often it feels like a dream, that you could just get lost in for all eternity.  And sometimes, you do.

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