Oliver People’s purveyors of the finest in eyewear and trading in very cool music and aesthetics have produced a short film for their 2011 campaign featuring Devendra Banhart and his real life girlfreind, exploring ideas of love and intimacy, in the glorious setting of John Lautner’s Rainbow House. Love the song.
“Many films diminish us. They cheapen us, masturbate our senses, hammer us with shabby thrills, diminish the value of life.” – Roger Ebert
Roger Ebert calls the film Tree of Life a prayer…not asking for something, not to someone or something, but a prayer for everyone and everything. It most definitely is not your typical Hollywood fare. It is a film that is beautifully shot and for the most part edited (I did think one sequence was a little long). It is a film the plays with the idea of what the beginning and end actually are.
This isn’t a film for everyone though. Which in some ways can lead to that “I’m a genius film maker and smarter than you” vibe. The way it plays with time can make it difficult to follow. In all honesty, I’m not entirely sure how I felt about it. I mentioned above one sequence I thought could have been edited a little differently (I think it could have been a little shorter without affecting the impact of the sequence). I do think that one of the ideas was to keep you questioning, both when and where you are, but how we are connected with each other and our world.
Cormac McCarthy is one of the best authors of fiction about the American Southwest. Film adaptations have already been made of All The Pretty Horses and No Country For Old Men, with No Country winning Best Picture at the Academy Awards for 2007.
“It’s written. I think it’s a really tricky one, and maybe it’s something that should be left as a novel. If you’re going to do Blood Meridian you’ve got to go the whole nine yards into the blood bath, and there’s no answer to the blood bath, that’s part of the story, just the way it is and the way it was.
“[C]learly the major esthetic achievement of any living American writer,” declares Harold Bloom in the New York Observer
With the adaptation of The Road due out next year, are there any McCarthy novels left that you’d like to see on the big screen?
Last night I went to a screening of the new Charlie Kaufman film, Synecdoche, New York
Like his prior work, its a bit strange, but also amusing. Originally conceived as a “horror film” for Sony, this is what Kaufman came up with. A story about a theater director so afraid of death that he is misses life and the good parts of it. I thought it was a fascinating film, and fit perfectly alongside the rest of Kaufman’s work.
My friend went with me said “near the end, I just wanted it to be over already.” Not because it wasn’t an enjoyable movie, but just because it was getting long. What I just realized though, is perhaps this was a good thing. This is a film about living and dying after all. For some people at the end of life, you wish for it just to be over, the suffering of pain, loneliness, whatever. But for whatever reason they linger on, in pain, alone until finally the warm light embraces them.
Last night I went to an advance screening of the movieTowelhead. The movie is directed and adapted by Alan Ball from the novel by Alicia Erian. The story is about a young Arab-American girl, coming of age during the time of the first Gulf War, in Texas.
The movie was pretty amazing. It was uncomfortable, funny, hopeful and disturbing at various times. I guess I shouldn’t be that surprised coming from Alan Ball, who didn’t shy away with uncomfortable topics in American Beauty or Six Feet Under. I was actually kinda bummed that I wasn’t able to stick around for the Q & A session after the screening (it was late).
Its going to be interesting when this film is actually released. From looking at the official website for the movie, it looks like they are going to be doing a bunch of screenings around the country before its wider release. Of course the title of the movie is going to be controversial. The film makers (and original author) address this a bit on the website, which I quote beneath the cut. I encourage ya’ll to see this movie when you can, its the best movie I’ve seen all summer.